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Other things to look for include chasses placed in cabinets from a different year, “doctored” tube charts, non-original control plates (usually reproductions) on silverface amps, original transformer bell ends (they have correct date codes, of course) on non-original transformers, and non-original knobs (either repro or silverface knobs on blackface amps).unusual things can be found such as the empty “Pulse Adjust” hole on the rear of early ’60 brown amps, the “middle” volume control, use of tweed style grill cloth, strange non-documented transitional circuits, and changes in tolex color including the super-rare cream colored “brown” tolex that is found on some late ’60 amps. Given that people may refer to this information seeking specific production quantities of amps they are curious about, it should be pointed out that the serial numbers apply to chassis types, and not specifically to amplifier models.

and these changes are often disclosed and of a non-malicious nature.Jensen® and Fender go way back—to the very beginning, in fact.Jensen® speakers are the traditional Fender speakers, with sweet articulation for clean sounds and cool vintage-style breakup when pushed.For that wet, shimmering ambient sound ranging from subtle to cavernous, Fender lets you dial it in exactly to taste.Heard on countless recordings, this is the fantastic sparkling-clean sound, warm breakup when pushed, and cavernous reverb of Fender’s famous "blackface" amps of the early 1960s and subsequent decades, prized by guitarists everywhere.

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  1. Tim: Piano not so much, enough to learn the parts but I’m definitely not Ray Charles. That’s the best part of being an actor though, learning new things, like different instruments or driving fancy cars.